Photos of Photos

Greetings.

Tonights post is a bit of a catching up sort of deal – quite often with work that Curtis does, he can’t actually make use of or show a lot of his work until the photos have been released by the clients, gone to public print, or been stolen by Secret Agents. So a few nights ago I went to the studio and snapped some photos of some of the magazine spreads in Avenue Magazine. I’m just slowly diving into doing studio work – and I have to say that snapping photos of something as simple as a magazine or two on a white seamless isn’t exactly actually the most simple thing.

But – before I end up writing another novel – the photos are as follows:

- Outdoor shots (on ice) with Olympic Medalist Karen Percy Lowe.

- Manulife Place fashion & product spread (small in-let within the Magazine) and -

- An interior table decoration dealy that was styled by the folks at Avenue. I don’t honestly know how else to describe or label this one.

Adventures in Vancouver – Kiewit Event Coverage

Now this is a story all about how my life got flipped, turned upside down…

Actually it’s just a story about a crazy adventure in Vancouver – and by adventure I mean Curtis shooting 200 portaits for a company called Kiewit (Construction). Kiewit is one of worlds largest construction companies in the world – who’s project values within Alberta alone number in the billions. With a B. Unfortunately, this a sans-picture story. Sorry kids.

This was so massive that Curtis brought me on to shoot.  We shot at the Vancouver Convention Centre - directly beside (attached to) the Pan Pacific Hotel. In one hand, one of the nicest hotels I’ve ever stayed in (with some notable exceptions – like paying $1 for a single sheet of printed paper. Not 10 cents. A dollar), in the other hand, the coolest convention centre building I’ve ever seen.

Anyhoo, the gig was this: Shoot 200 plus portaits in just 2 days.

But before I dive too far into the actual work of this – I have to write about how we got there. Curtis had just been shooting in Mexico for a week and got back in (quite late) the night before we left for Vancouver – but on that same day, he had a full day of shooting to handle – and then had to make his way to the airport to fly to Vancouver. I think he got in at around 10pm and didn’t get to the Pacific until nearly 11pm.

I on the other hand, was tasked with getting all of our gear to Vancouver via the old fashioned way – driving 14 hours – which I was actually really stoked about…I personally love road trips, and driving to Vancouver is always a pleasure simply for the landscape alone. However, doing so after only getting about four hours of sleep is not the wisest thing to do. I ended up having to get a rental car – which we only booked the morning I had to leave – something I decided we wouldn’t ever do again. Reason being? I ended up with a Nissan Versa. Go Google that if you don’t know what kind of vehicle that is – then imagine driving it to Vancouver, through the Rockies, in the winter…fully loaded with camera and lighting equipment. Carry on reading when you’re done laughing at me. To be honest, the drive there was actually near flawless – with the exception of some slightly poor/snow covered highway prior and after the Jasper area. The drive back however, was another matter…

But onto the actual event…

Curtis and I were assigned a specific room to set up our lighting with backdrops that were provided by Kiewit themselves. The room ended up being large enough – but barely. In order to get the proper kind of framing and angles Curtis wanted, along with the right lighting (two identical setups), Curtis and I were basically shooting back-to-back aiming at our respective subjects at 200mm.

At times, it was quite slow and we only had a few people at a time to handle together – but when the wave of people came…it was just bonkers. Thankfully, we had our markers on the floor – standing and posed body positions for everyone arranged ahead of time – which I’ll say was probably the key element in making this all go smoothly. I can’t stress enough how important it is to plan ahead. Curtis made this point very clear right from the start – but it didn’t really click for me until after the first big wave of people were finished. I’m pretty sure my thoughts after that were “Shit…that was intense.”

This was literally the first time I’d ever done anything like this so my time to learn was incredibly limited – so one big thing Curtis mentioned after that first wave was the need to resist taking creative liberties on the shots. One has to understand what we’re doing here to understand that – when you’re taking corporate headshot images for such a large number of people, the main thing you have to be concerned with is consistency – the same look, for every person, every time. Ignoring the influence of chaos theory in this reality – there will always be slight variations and quirks about some shots, some people are very short while some people are quite tall and you have to make the portraits basically look the same. Curtis and I are both fairly short  guys – so we had to actually stand on chairs sometimes for the guys (and some women) that were well over six feet.

But back to the main point – when you’re shooting so many photos that all have to look the same, you literally have to fight the urge do just…do something different. Duck down low and shoot up, or start using the “rule of thirds” shot style – anything to break the repetition. But you can’t. You have to be conscious of what you’re there to accomplish and shoot accordingly.

In the end of it, Curtis flew back to Edmonton for some other work… and I after visiting with some friends for a day, embarked on my drive back through the mountains…which itself could be another story all together. I just thank the Music Gods for the likes of Tool and Radiohead – they got me through the drives awake and alive. Not to mention the numerous energy drinks.

28 hrs of driving and two 14 hr days is enought to make most people quit….. Me, I’d do all again any day.

 

Im on Twitter Now.

Yep I have joined the masses and signed up to twitter this past week.

 

twitter addict

Twitter Addictt #1 - Check back later for more Twitter Addict photos.

I’m not a Facebook guy and I don’t really buy into the whole social media thing in terms of marketing oneself. I kind of see it as offering ones services on Craig’s List or Kijiji – Kind of ghetto. However the main reason for not networking on social media like Facebook is that I really don’t need old high school friends, crazy family members and clients all interacting with one another.

That being said; I had some downtime the other day onset and out of boredom I decided to use my bberry and singed up to twitter.

My twitter handle is fortunately CurtisComeau so it worked out well. Twitter proved to be quite fun during my downtime, but I quickly put it away and moved on with my day when I needed to. Although twitter is enjoyable enough some people are seriously addicted to it. This addiction inspired me to take a photo for all the addicts out there. I call it “The Twitter Addict #1″.

Enjoy!

I have also come up with some opinions in my limited time on Twitter.

1. Most people use twitter as a tool to let the world know how “Awesome” oneself is… which is fine but don’t tweet stupid shit like how you “just woke up” or are “going to bed”. Make it interesting at least…

2. Select few use twitter properly – to post random thoughts, interesting facts or simply funny shit.

3. Very few people actually tweet their honest thoughts about controversial issues… (myself included)

4. When you choose to follow anews or media outlet YOU WILL get bombarded by up to the minute tweets that are written by some unpaid intern.

Oh and follow me because that way you can see how “Awesome I am”

The World Juniors 2011

I’ll be the first to admit it – sometimes the world of assisting (be it photography or videography) isn’t exactly the most exciting job in the world – holding up a white board and having camera flashes bounce back into your eyes all day isn’t exactly the ideal thought of a fun job. But that said, the pros far outnumber the cons – the number of things you can learn from an established pro, regardless of the field of work, is quite awesome, and as an individual trying to make it as a photographer – you’ll learn more working with a pro over the course of a few months than you will in a year of school, never mind trying to learn it all on your own. Plus, it’s just a hell of a lot of fun and beats the obvious alternatives of sitting behind a desk or digging ditches for all those zombies Hollywood seems to go through. So I’m not complaining…but sometimes you just have to take the dull gigs and hold up a white board all day.

Sometimes it turns into something, much, much more…

This all started when Curtis was recently hired by a video company out of Toronto called Triple Threat Entertainment – who have been working with Nike for nearly a decade. So Curtis shot a bunch of their clothing store outlets at WEM for the new campaign that Nike was putting on – with a large focus on the new Team Canada jersey design (which is pretty badass I’d have to say). So that was that. Easy gig.

Following that, the videographer with TTE – Matt Mitchell – was going to be doing some videography work at the Juniors games here in Edmonton, at Rexal – and was in dire need of an assistant. So rather than making Matt frantically search around for someone with half a brain to help him out, Curtis simply suggested me. And that again, was that. The plan was that I would simply end up doing the basic of basics when it comes to assisting – literally just helping Matt around Rexal for a couple of hours.

Ahh, how quickly things can change. Day 1 turned into a few hours of scouting Rexal for video locations, checking out all the outlets inside Rexal with the new swag,  and generally just being prepared for Saturday – the day of Canada vs. USA. While Matt and I were being toured around the site…things started building up, changing, being added on, and basically morphing into: Now I have to be a dedicated photographer to cover the entire day, not just an assistant to Matt. Thankfully Matt was half prepared for this and had just bought a new 5D Mark II with a nice 24-105 f/4.0 IS lens – so that combined with my own gear made it an easy transition.

Sidenote: I met Matt on the Friday at his hotel – when he very quickly realized he had left the bag with his brand new camera, which had just been insured that day, at the airport. Thankfully the attendant at Hertz saw it first and had it there waiting…so our day actually started with me driving us back to the airport to rescue his nearly-lost camera. I had to tell that bit though…sorry Matt.

The really comical part ended up coming up on Saturday when we got into Rexal nice and early to shoot the clothing outlets before the crowds rushed in – Matt ended up almost being my assistant; placing the clothing in nice spots, moving things out of the way, getting the stores ready for photos. We joked about it and carried on…

 

The biggest focus of this entire project was to really cover the “Pressure is Power” slogan that Nike was using to promote the Canadian team this year – it was everywhere. At one point during the day, we had to make a mad dash from Rexal to the West End to cover the printing of one of the board covers inside the rink – then get our way back to Rexal to continue shooting…and get video of them putting the printed piece onto the boards. Did you know those things are just giant stickers? Neither did I.

I could literally sit here all night and write about this one single day – but to make a long story short: I was incredibly fun and I’ll be lucky if I ever manage to top this anytime soon. Working with Matt was a real pleasure – very professional, competent and just an all around great guy – but both of us getting free tickets for the Canada vs USA game for all our hard work over the day – that pretty much topped it off.

So the moral the story is – sometimes you just never know what can happen on a shoot, and sometimes the most mundane assignment turns into the coolest shoot you’ve ever done. I think one of the reasons I’m personally so attracted to this life/work style is the real spontaneous aspect to it – the possibility that the unexpected can and may very well happen, and that you have to be on your game and be prepared for it. I joke about it being dull or mundane, but it’s really not at all. (CURTIS NOTE: Sure its cool to have a shoot fall in your lap, but what impressed me was Kevs decision to take the assisting job. You see this all took place New Years Eve. The original assisting gig didnt entail extra pay nor did it have any promise of shooting. But because Kev took the job regardless. He effectively created an opportunity for himself and it worked out. Thats what impressed me. – Creating an opportunity regardless of sacrificing personal time for New Years.) 

During the  game, I tried to snap some photos off, but it’s quite hard from seat level. I did try to ninja some shots out of the small photo holes cut into the glass that the journalists use – but I got booted off by the Sun photographer after I’d snapped one photo. And it wasn’t even in focus. Bummer. In hindsight – what I should have done was gone and asked the shooter that was opposite of the Nike board if I could take a few quick snaps of it during game play…I bet Nike really would have loved that. Lesson learned.

 

Introductions are in order!

Greetings fellow humans! My name is Kevan – and among the many awesome titles I could bestow upon myself, I am Curtis Comeau’s photography assistant.  I met Curtis somewhere around the 2004 marker, in a very random evening while I was doing some promo photo work for the now-famous couple who have made the show Guinea Pig a big hit on Discovery Canada (who by the way, are from Edmonton). Literally within a minute of meeting Curtis – he was handing me more camera gear than I could carry (which was then far better than the gear I had) and ushering me back into the club to have fun with it all. I probably could have ran out of the club and hefted a handome profit – but he trusted me to take care of it, and since then I’ve had the pleasure and honour of working with him, mostly handling the design of his websites and print material – and now more recently, as a photography assistant and secondary shooter.

Anyway – history lesson and personal promo aside, I will be taking up the efforts of posting all about our work together – from an assistants viewpoint.

Most recently Curtis had me help him out with an outdoor shoot at the local Royal Glenora Club here in Edmonton. The aim of the shoot was to take some outdoor portrait shots of former Olympic medalist (Apline Skiing) Karen Percy Lowe, wife of former Edmonton Oiler – Kevin Lowe. The shoot was for Avenue magazine.

Originally, the idea of the shoot was to have the river in the background along with some of the south side tree line – but we couldn’t really find a suitable vantage point, so we were left scratching our heads for a bit while we drove around trying to scout out a location. This is the part of the shoot when we kinda make things up on the fly. Professional what? Fortunately, and by some sheer luck, we noticed the outdoor skating rink that the Glenora Club was making for the speed skating athletes – some of whom were working towards Olympic level skating. In context, it seemed pretty suitable, albeit an entirely different sport.

While Karen was busy with make up and wardrobe – we  quickly set up two individual lighting setups, and me, being the only other guy around on this huge flat of ice with Curtis – was once again nominated to stand in so he could nail down his angles and lighting. Curt wasn’t entirely pleased with the lighting we were getting with the lightboxes alone – so he decided to throw in his ring light on a stand and wabam – it was perfect. Here’s a couple of the test photos of me looking awesome that actually turned out really well.

 

My biggest concern on this entire shoot were the Ranger battery packs being in the cold and on the ice for so long – and beyond that, having all our gear slowly melt into the ice…ice that had to be perfectly flat for the skaters once it was finished, fortunately it was still slightly below zero degrees so it wasn’t a huge deal. We ended up either hanging the packs on the stands via straps, or having them sit on top of our wheeled cases – and when we weren’t using them…keeping them warm in the vehicle. Still, cold weather and ice will quickly eat up your battery life…so Curtis had to be pretty fast with his shots once Karen and the rest of the crew showed up.

As with the majority of material from Curt’s shoots – we can’t yet post the actual photos of Karen until they’re made available to the public through Avenue – but I’ll be sure to follow up on this with the final images that Curtis captured that day.

Thanks for reading my first post – aka novel. More to come soon!