The New Hudsons grub (post by Kevan)

Greetings folks,

A number of weeks ago – Curtis had me assist him on a fun little shoot for Hudsons Taphouse – specifically the one on Whyte Ave. Hudsons was just about to unleash their new food menu (which rocks by the way) – and they wanted some cool shots of a few plates for their website. I think this was prior to the string of restaurants that Curtis had me help him with – so it was the first “food photography” shoot I’d ever been on, I really wasn’t sure what to expect or how this was going to work.

Montreal Steak sandwich - Hudsons Taphouse

Turns out – it was quite cool in that I learned some neat tricks that Curt literally pulled out his proverbial hat. And by hat, I mean a box of gadgets just for this kind of shoot – but if I tell you guys the secrets…I might find myself resorting to being one of those guys on the sides of the streets you see waving promotional signs like clowns. What a weird job. Anyway. These are just a few of the dishes we shot that day – others included a poutine (they have three different poutine dishes on the new menu) and their halibut fish.

I have to admit that food photography has always amused me – especially when you see it on the walls of restaurants or – even funnier – in commercials. The latter being the most comical simply because it ALWAYS looks absolutely perfect. Too perfect…because it never looks that good when you actually end up ordering it. Fortunately, that wasn’t the case here. The best part of this shoot was that after we were done with each dish (particularly the poutine and fish – throwing in an “omnomnom” here for good measure)…we sampled them all. And enjoyed it. Everything we shot was made for us on the spot – and with the exception of some minor arrangements on our part (very little), what you see here is what you’ll get when you order it.

And in the end I think that’s exactly what Curtis was going for – realistic shots of real food. That said – I shall leave you with this salivating piece:

 

Trave to Toronto Set # 2 (Curtis Post)

Hey Gang,

6:00am – I have been flying for 3.5 hrs its actually (3am my time) and I have just woken up from a melatonin induced sleep. Drop a NUSS into a water bottle and slam it back. Should be good to go in about 20 mins. We are supposed to start our decent into Toronto but extreme fog delays us and we are in a holding pattern for an additional 45 mins. We don’t land till 7:20am. No Panic because I don’t need to be at Pattison head office till 9am.

Shot by Edmonton Photographer Curtis Comeau.

fog was so bad you couldnt see past the tail!

7:55am - Still no luggage…. things are moving very slow, a little leeriness creeps into my thoughts, this is taking too long. Finally luggage comes, I have to rent a luggage cart for $2 which just pisses me off. It’s a damn airport luggage carts should be free!

8:15am – Hertz rental car is the furthest rental lot. I know this from experience… but I got my assistant to book me my car so this is my fault…. Now I’m getting a little worried about time… I start to pick up the pace.

My $2 luggage cart rental... this still pisses me off... luggage carts should be free!!!

8:45am -  Get my car rental throw everything in and head off in search for Pattision head office which is supposed to be 15 mins away. But this is Toronto and I’m heading out into the tail end of Rush Hour!

945am - I arrived at 9 on the dot so things went well with traffic. I load my gear and set everything up. I am ready to roll… first subject comes in at 10am.

1:25pm - Ok I’m tired now. Shooting is rolling along smoothly but I’m pretty bagged… I’m going on 3 hrs sleep, and well the day is dragging on. I pound some coffee another hour to go.

Shot by Edmonton Photographer Curtis Comeau.

340pm – Shooting is done – 40 people… All is good gear is torn down and packed – ready to go. Client asks me into a surprise meeting to discuss more projects in Calgary and Winnipeg.  Can’t turn that down.

4:20pm – Just left meeting…. went well more work coming… except my plane takes off in 2 hrs and I am on the 5th floor at the Pattision office. Its rush hour and I need to still return my car!!! Time to HAUL ASS.

5pm - I’m fucking lost in a maze of overpasses and lights!!! Returning this car is insane! Little chance of me making my flight! I hate this shit! No time to snap a pic with SLR, but I pull out my bberrry and take a quick one for you!

Maze of overpasses at Pearson Airport

5:50pm – I end up returning my car, hauling ass to the terminal train because of course the car rental is in Terminal 1 and I am flying out of Terminal 3… I make it to the gate and Westjet allows me to check in! Whew.

I make my flight and sleep on the plane all the way home. Back in Edmonton at 8:45pm…

All in all a good day.

Join Me On A Trip…. (Curtis Post)

I have been getting quite a few emails from readers who want to know what its like shooting out of town so much and how the whole process works. I just few back from Phoenix 36 hrs ago and now I am about 4 hrs away of jumping on a redeye flight to Toronto to shoot 40 portraits for Pattison Outdoor - tomorrow morning.

With all of the inquisitive emails regarding travel and shooting I figured this would be a great opportunity to answer alot of the questions and bring all of you along for this shoot.

WHATS HAPPENING.

I’m shooting 40 portraits at Pattison outdoor. I need to shoot these at their head office in Toronto and need to be ready to roll at 10am.

So I am leaving Edmonton at 1245 just after midnight and arrive in Toronto at 630am. I hope I get 3-4 hrs sleep on the plane. Grab my car rental and head to the head office for set up. Shoot from 10am – 2pm and then fly back home at 830pm.  I choose not to stay over because I have just flown back from PHX 36 hrs ago and needed some time to settle down, and I need to be back to Edmonton for a shoot on Wednesday.  Hence the one day in and out.

HOW IS IT DONE?

5PM. – Get to the studio and prep my gear. Its important to pack all my gear into 4 checked bags all under 50lbs. WEIGHT is EVERYTHING!! So I bring 2 lights Elinchrom 600 heads, various soft boxes, light stands, cords, reflectors, gels and a grey seamless… I also bring another 2 lights for backup… so I bring the light weight Elinchrom Quadras.  I have this packing down, so I know I’m under 50lbs for all bags.

6PM – Make sure I know where the hell I’m going. So its map time and of course make sure my assistant has booked my car rental.

7PM – Get home, shower and change grab a bit to eat. I am not going to get a shower till 845pm tomorrow…

8PM - Purge my CANON camera bag. I am shooting 35mm on this because of the workload and the final usage. Like my gear, WEIGHT is EVERYTHING, Im shooting tight portraits so I leave over half of my lenses at home. I choose to bring my 70-200mm 2.8 ,  24-70mm 2.8,  85mm 1.2. I leave the 35mm, 24mm, 16-35mm, 50mm back here.

I also bring my laptop and 3 pocket wizards and two camera bodies….. But leave the polarizer, flashes, and AAs.

The most important part of my kit, which keeps me sane, is melatonin which helps me sleep and NUSS, wonderful electrolyte tablets that my pilot friend Capitan Jacob recommended to me. Since I have been using NUSS I can keep my head above water with this heavy travel schedule.

8:30PM Final gear check. SHIT!!!  I’m missing a speed ring!!! I need to go back to the studio.

8:50PM Posy this blog and I’m off to the studio to pick up the dam speed ring. Stay tuned tomorrow when it’s all over ill post a recap with some behind the scene pics!’

Check back tomorrow, I will be posting the second part of the series and more pics post shoot!

Enjoy!

C

 

My Industrial book and getting Big Jobs.

Every year around this time I get several requests from students looking for internships and practicums.

Most of them come from VANARTS or Emily Carr University in Vancouver.  Or NAIT and Grant MacEwan University in Edmonton. I like taking on students because they are often eager to work and learn.  And I am constantly blown away at the talent level in terms of photography these schools produce.  Not all schools produce such a high level of talent.

I was in the airport today I just shot a job for Ledcor in Fort Nelson BC. Actually I had to fly into Fort Nelson, then drive 200kms on the Sierra-YoYo Highway… to what equates to GPS coordinates in the middle of nowhere.

Anyways, I was answering an email from a student when I thought I really should post a blog about the answer to a question that all students ask when they are on a practicum.

Students always come around to one basic question. Big Jobs, how do I get them?

 

sample spread from my Industrial portfolio

I would say Experience is probably the most important aspect to getting big jobs. You simply wont get big jobs unless a client trusts that you have the experience to pull off their project. Its really demoralizing for a young student to hear this but its true.

 

Like in anything when you gain experience you will inevitably get better. This is how you build a solid portfolio.

 

So many students have books that show wonderful images only to go after the big jobs too quickly and get turned down. Its not that they cant take great photographs, but clients are always wondering has this person has ever been on a site, on a big set or dealt with heavy productions.

I tell students to “Start small and don’t worry about the big jobs yet. The heavy jobs will come to you when you are ready. “

 

I do believe however when one wants bigger jobs the best thing to do is get represented by an Agent. For my Industrial work I am repped by M.A.G. and Associates out of Houston. Its great because agents actually go and find you work; they pitch your book and have the credibility with the large firms when presenting you as a viable option. They also ensure that you are compensated properly for each job.

 

Reps also help you edit your work and build your book

So its pretty simple – Start Small, Get Better and Get Bigger Jobs….. What I posted here are some pics of my Industrial book. Yes, I print a book for every discipline of photography I shoot. So I have a Portrait book an Editorial book…. so on and so on……

 

Enjoy!

 

C

Arrogant Camera Reps Piss Me Off (CURTIS POST)

It’s been a while since I have actually posted myself on the blog. My schedule in the past 7 weeks has been absolutely crazy shoots and travel. There is a light at the end of the tunnel, but before I get there the next 3 weeks is going to be just as busy.

The first four weeks has ensured my travel schedule included shoots in;  Jamaica, Grand Prairie, Vancouver, New York, Toronto, Banff and a photography conference in Las Vegas.

It was in Vegas that I got a chance to check out the pre production Canon 1DX. Albeit I had to put up with outlandishly arrogant Canon Camera reps belittling almost everyone that had a question about the Canon 1DX.

Trade show Camera reps always fascinate me. For a few reasons.  First is that its a pre requisite that the Rep on some level actually believes that they have single handedly created the camera you are looking at. And second they always find a way to arrogantly slip into the conversation that they have shot some high end gig. Kind of like when a creepy guy talks to a hot chick, they always find a way to slip something sexual into the conversation.

Example of Canon Camera Rep from Vegas

Rep “The 1DX is a pretty impressive Camera isn’t it!”

Curtis ” Looks like it…”

Rep ” It is. When I shot for National Geographic I wish I had this camera. ”

C  ” Pardon?”

R ” Oh I shot for National Geographic….

C “Ok….”

R ” And I could have used this camera I tell you. It shoots 14frames per second”

C ” That’s cool… But I don’t need 14 frames per second Its a bit of overkill”

R  ” You do need it. When I shot for National Geographic I could have used 14 frames per second”

C ” Yeah man…. But seriously I book out alot and I cant go through 400 images from every job. That would be insane. Id never finish my work…”

R ” When I shot for National Geographic, I shot like 10,000 images….”

C ” Good for you. That’s a lot of images dude…”

R “Well that’s what National Geographic photographers do.”

C ” Can I ask you a question??”

R ” Yeah”

C ” If you shot for GEO then why are you working behind a counter at a Vegas trade show???”

 

Anyways here are a couple travel images I shot for a story in Jamaica. These are all clean files with absolutly no PS work.

 

 

 

As well as a sample portrait I shot in New York of Dan Giardi from the New York Rangers. This portrait of Dan is not the one that is going to make my NHL book, but I really like it. So I thought I would share it! Dans portrait is also clean with no PS. It was shot with one soft box and one side light against a white wall in his apartment in NY.

 

Upcoming shoots in the next 3 weeks include works in Toronto, Fort Nelson BC, Phoenix and Cabo San Lucas.  I am going to attempt to post behind the scene blogs and some images from each of these shoots.

 

Enjoy!

C